Hays Code, 1934

In 1934 The MPAA voluntarily passed the Motion Picture Production Code, more generally known as the Hays Code, largely to avoid governmental regulation. The code prevented certain plot lines and imagery from films and in publicity materials produced by the MPAA. Among others, there was to be no cleavage, no lace underthings, no drugs or drinking, no corpses, and no on getting away with a crime.

A.L Schafer, the head photographer at Columbia, took a photo that intentionally incorporated all of the 10 banned items into one image.

The photo was clandestinely passed around among photographers and publicists in Hollywood as a method of symbolic protest to the Hays Code. (Jordan)

La Llororna, 1933

The legend of La llorona (The Crying Woman) is that of the wandering spirit of a woman who murdered her children after her lover betrayed her by marrying another woman. Spurned by St. Peter until she could bring the souls of her children with her to the Gate of Heaven, she roams the earth, crying, “¡Ay, mis hijos, mis hijos!” (Oh, my children, my children!). Her appearance is said to be a sign of impending disaster or death.

 

 

In modern day Mexico, a man on the street is supernaturally killed after hearing the eerie sound of a wailing woman. We then arrive at the manor of an upper class family, who are celebrating their young son’s birthday. A mysterious cloaked figure is eavesdropping on them, taking advantage of secret rooms and passages. Eventually, the intruder (who appears to be possesessed) kidnaps and attempts to murder the boy at a pagan altar using a sacrificial knife and stone. While this story unfolds, two flashbacks to the Elizabethan and Inquisition era are related, explaining the origins of the “wailing woman”. In one, a woman with an illegitimate child has been abandoned by her lover. His formerly faithful friend forces him to a duel over this betrayal. The woman kills her baby and herself, and upon her death a wraith ascends skyward from her corpse. In the other story, an Indian woman has her baby taken from her by the authorities, and she descends into madness and suicide, with her spirit also leaving her body upon death. An ancient ring worn by the principals, as well as the knife and stone, are the bonds between the stories. (IMDb)

Alice Cooper’s Greatest Hits, 1977

Just posting this fantastic cover

Alice Cooper’s Greatest Hits gate-fold cover art was designed by Ernie Cefalu and features a sepia-toned Drew Struzan illustration consisting of the Alice Cooper band and various movie stars of the silver screen from the 1920s & 1930s, gathered in front of “Big Al’s” garage.

Seen from left to right: Humphrey Bogart, Robert Taylor, Clark Gable, Edward G. Robinson, William Powell, Jean Harlow, Peter Lorre, St. Valentine’s Day Massacre scene (top), Alice Cooper band members (Glen Buxton, Dennis Dunaway, Alice Cooper, Michael Bruce, Neal Smith), Groucho Marx